Loudness has become one of the biggest topics in broadcast over the last few years, as most countries have introduced requirements to balance program volume across all content. It’s not a guessing game, however, and standards have been clearly defined for the USA, Europe, Japan, Australia, and many other regions. A few years ago, Audition first offered loudness correction for broadcast users within our Match Volume panel, later introducing the real-time Radar Loudness metering panel, licensed by our partners at TC Electronic. Since then, many users requested Audition expand the loudness correction tool to support new and updated standards and additional features, as well as reduce the steps needed to ensure a project in Premiere was ready for broadcast. I’m very happy to announce that our team responded, introducing new presets for ATSC and EBU, and adding True Peak Limiting. We also put the exact same functionality into Adobe Media Encoder and Premiere Pro!

How to use Loudness Radar Adobe Premiere Pro CC - Duration: 7:16. Rocket Pencil 25,023 views. How to set your LOUDNESS using Adobe Audition (Simple) // Loudness Tutorial for Video. I still have access to the Loudness Radar Meter and I have it under the Effects rack. It really is treated exactly like any other kind of effect. So whatever way works best for you, if you want to use this feature. Just access it in any part of the interface. So that's working with a Loudness Radar Meter to assess loudness in Adobe Audition.

In the Match To dropdown, select the preset for your region or adjust the parameters to your custom settings, and we’ll remember them for next time. ITU-R BS.1770-3 has been updated to meet the latest standards, and is the foundation upon which most other loudness legislation is based upon. ATSC A/85 meets the U.S. regulations, and EBU R128 is calibrated for European distribution.

Match True Peak Level ensures your intra-sample signals will NEVER clip, which is not always the case with standard limiters. A normal hard limiter limits sample values, preventing any single sample from exceeding the limit, however, there are situations as consecutive samples approach the limit where the signal can clip even though no sample has. True Peak limiting looks ahead and calculates whether the signal will clip between samples, and will adjust accordingly. (We also added True Peak limiting to our Hard Limiter effect, so you can use it with your existing, non-broadcast loudness workflows, too!)

As I mentioned, we also put these same world-class automated loudness correction tools in Premiere Pro and AME, so you don’t need to take a special trip to Audition if you’re not already mixing and mastering your audio there.. When you export a sequence, find the new Loudness section located in the export Effects group. Same options, same results! You can also choose to export a Loudness Report which is an XML-based document that contains the analysis and correction details, which is required for many locales or organizations.

George Lucas is famously quoted as saying, “Sound is half the experience.” These days, listening to social videos and podcasts with earbuds millimeters away from our eardrums, audio quality has never been more important. For some people, sound mixing still has a reputation for being difficult to learn, time-consuming, or a “black art,” accessible only to the experts. Our tools show otherwise – and open the door to audio excellence for all content creators.

Building on rich feature sets, the latest releases of Adobe Audition and Adobe Premiere Pro offer improved routing for effects, streamlining multichannel audio workflows. Premiere Pro offers expanded audio gain, up to +15dB.

Audio workflows for video

Adobe Premiere Pro offers powerful audio tools for video production. With support for third-party effects and automation, sub-mix bus routing, and even external mixing consoles, it rivals digital audio workstations for many production workflows. Projects like Vice News Tonight prepare broadcast-ready content every day without leaving Premiere Pro, which provides incredible flexibility for finessing their edits until it’s time to go to air.

Audio gain in Premiere Pro is available up to +15dB, on par with Audition.

When you need even more audio power, integration with Adobe Audition means your projects can be opened without rendering reference videos, keeping all audio edits enabled and non-destructive. Whether it’s using the Essential Sound panel for quick cleanup and Adobe Sensei-powered Auto Ducking, or building detailed clip envelopes and effect chains, no work is “lost in translation” and the intention of the editor or director remains clear to audio post-production teams.

Crafting audio content

Many popular podcasts and radio shows we listen to every day are produced start-to-finish in Audition, published to dozens of platforms, and heard by millions of listeners. Whether that content is captured on a recorder and brought into Audition’s waveform and spectral editor for clean-up, or multiple hosts and guests are captured in Audition’s multitrack environment for detailed editing, mixing, and the inevitable “umm” removal, Audition is a flexible powerhouse platform for audio production.

What’s new?

Adobe Audition Loudness Radar Software

Individually, Premiere Pro and Audition are top applications in their space, but together, there is no match for their integration and compatibility. Which is why I’m so excited to share a new feature coming to both Premiere Pro and Audition, as well as additional improvements to each application.

Streamlined multichannel effects workflow in Premiere Pro.

Improved routing for multichannel effects

Okay, it’s not the most glamorous name, but if you could reduce hours of time setting up complicated track configurations for broadcast and immersive sound mixing to just a few clicks, would it really matter what we called it? This new functionality in both Premiere Pro and Audition provides support for third-party audio effects to be queried for their channelization options, and route specific audio clip and track channels in and out of those effects.

For broadcast editors, this means you can simply add the Loudness Radar Meter to your Master Track twice to monitor loudness on different segments of a multichannel deliverable – say your stereo mix on 1 & 2 and the center channel of your 5.1 mix on channels 3-8 – to get individual, accurate measurements of each stream and ensure compliance with regulations in your region.

For immersive producers building rich, wrap-around soundscapes using plug-ins like Facebook 360, easily route your mono, multichannel, or ambisonics recordings to the suite of effects for accurate sound placement in a 3-D environment. These updates enable you to work WITH your content, not around it!

Audio workflows in Adobe Audition.

A little more headroom for audio gain

Adobe Audition Loudness Radar Transmitter

When working with digital audio, especially at the higher bit rates captured by modern cameras and recorders, signal levels can have more variation, without the problems inherent to analog media like tape. Sometimes, this means editors need to give a bit more boost to certain clips to help them stand out. Previously, Premiere Pro would allow +6dB adjustments on clip volume envelopes: if you needed to crank up the volume further, you had to stack effects on top of it, like Clip Gain, Amplify, or others. That works, but it’s not elegant and if you need to trouble shoot a mix later, you’d have to remember those changes. Now, Premiere Pro aligns with Audition and other industry tools, allowing up to +15dB of gain for clip volume envelopes. Adjusting clip volume envelopes is easier and more precise.

Audio clip stacking

Adobe Audition Loudness Radar Download

A recent change to the way Audition plays back overlapped clips brought feedback from users who relied upon stacking audio clips in a single track to get their signature sounds. Whether that’s because of a minimalistic approach to track counts or to achieve precise timing and arrangement, we’re happy to report that audio clip stacking is now back as a session-level preference.

Learn more about the new releases of Adobe video and audio tools. Download Adobe Audition.

Adobe Audition Loudness Radar

Learn more about the latest release of the Adobe video and audio applications.